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Alain Cabot - Put into series Gang gauges him(it)
Put into series Gang gauges him(it)
Mixed technique on painting

- 1600.00€ Available -

Painting

Alain Cabot

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CabotAlain Cabot ( 1958 ) saw frequently the Regional School of the Fine arts(School of Fine Arts) of Tours(Ballots, Towers), then dedicated himself to studies of art history and plastic arts in Paris. He(it) begins to paint very early and, since 1985, works as visual artist. He lives at present in Paris.
He(It) participated in numerous personal and collective exhibitions (exposures) (on 2015: BIG LOUNGE(SHOW) OF ABORDABLE(ACCESSIBLE) ART OF THE BELLEVILLOISE 6EME EDITION (PUBLISHING), on 2013: Ministry of Culture and Communication, Paris; on 2012: Exhibition (Exposure) Beekeeping, Paris, City hall of the 9th district; on 2010: Double agent, drawing, engraving, paint(painting), photography, Paris, City hall of the 9th district; on 2009: collective Exhibition(Exposure), Paris, City hall of the 9th district; on 1995, 1993 and 1991: Biennial event of plastic arts, Paris, Ministry of Culture; on 1992: THE ASBAM: New Trends(Tendencies), Young Creators, Marly-le-Roi?), in lounges(shows) (2015: big Lounge(Show) of affordable(accessible) art, 16th edition(publishing), Paris, Bellevilloise; 1989: lounge(show) of Charenton, Charenton-le-Pont; 1989: autumn lounge(show), Paris, Big Palace; 1989: lounge(show) of the Independents.
At present I work on the series: gang (Ten oils on canvas and mixed techniques; every painting(cloth): 100cm x 100cm) presented come a board of monumental BD
The subject of Gangs and treaty according to a process which goes from the representational artist to the documentary. That is why the macrostructure of this series is reminiscent at the same time of the polyptiques of sacred subject of the Middle Ages and the Renaissance and the comic strips: a continuous story settles down around the phenomenon of gangs, without proposing for all that a demonstration or a moralizing reading. The representational scenes(stages) consist on a bottom where, in the violent dominating tones yellow or red, offers itself in the eyes of the spectator a landscape of poverty, the representative, South American poverty of the favelas of the poverty of all the suburbs.
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